❶ Applying Blush And Face Type

❶ Applying Blush And Face Type
❶ Applying Blush And Face Type

Video: ❶ Applying Blush And Face Type

Отличия серверных жестких дисков от десктопных
Blush application and face type
Blush application and face type

It is necessary to apply blush very carefully - the wrong shade or poorly chosen place for applying the tone can spoil the oval of the face, visually highlight the flaws and spoil the impression of the image. Location: Location:

The type of face can always be corrected using makeup products - foundation and blush. The color scheme of the blush should correspond to the chosen shade, makeup technique and natural complexion.

A face with a "heart" needs to be rounded and "smooth" a sharp chin. To do this, apply a small amount of blush to your cheeks, right under your eyes. With sharp strokes, continue the direction of the lines towards the ears. The cheekbones need additional emphasis, so here the blush should look richer and more intense in color. Blush needs to be shaded well to hide the boundaries of the paint application.

A round face, on the other hand, needs to lengthen the oval. A similar effect can be achieved by applying blush from the corners of the lips through the cheeks to the temples. Moreover, the thickness of the strokes should increase towards the temples and taper downwards - you get a triangle that allows you to visually reduce the chin and focus on the raised cheekbones.

A square face needs to be slightly narrowed on the sides, so the blush is applied to the cheeks closer to the lips and almost straight up to the cheekbones. In this case, the smear should not be wide, rather it will be a thin, carefully smeared line.

The "triangle" face, which tapers slightly towards the forehead and widens towards the chin, looks unusual, but harsh. You can soften features and slightly reduce a heavy chin by applying blush to the chin and slightly lengthening to the temples. The color should be darkish - this will draw attention to the lighter parts of the face (eyes, cheekbones).

The oval face should be given a bit of sharpness in the cheekbones - they should be emphasized with graceful strokes coming from the middle of the cheek.

The elongated face should be visually shortened, so we select points on the cheeks right in the middle and from them we draw strokes to the ears.

A face close to a rhombus can be smoothed a little from the corners - to do this, blend a wide line of blush from the cheeks at a slight angle up to the temples.

Popular by topic